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Introduction
The Welsh and the Irish share a similar culture and just as the Irish had their
"Tir na nOg" (the land of the ever young), so to the Welsh had their "Annwfn"
(The land underground). Sharing the same heritage is it any wonder that Welsh poetry, like Irish
is just as complex with reliance on sound structures, and rhyme not as important as repetition,
alliteration and rhythm. However, unlike Irish poetry it is not cyclic and there is no need for
the last line to end with the first syllable word or the complete line.
If we look at my Welsh Poetry site (Celtic 2), you will see that there are 24 traditional forms,
and that these forms can be placed into 3 categories; Awdl (odes), Cywyddau (cywydd measures), and
Englynion (englyns). The Awdl comprises the majority of poetry forms and it is proposed over the
next few weeks, that it will be an ongoing challenge with a new form being introduced every four days
or so. It will be found after a few days that some of these poetry forms use a similar base, or a
couplet and form part of a family of forms.
What must be remembered is that these forms are not based on English rules as Welsh is a very musical
language, and rather than rhyme alone the poet based the work on alliteration, assonance or secondary
or half rhyme also.
Awdl (Odes)
Although there are twelve Awdl forms, several of them were not commonly used
and the only examples I have seen have been in reference works that mention them
or give examples. It has been considered that the reason might lie with the move
of the Welsh Knights into the Enlish Courts and the loss of patronage to their poets.
Welsh poets lost their incentive to teach their craft and in the end with the death
the last professional poet, Grufydd Phylip of Ardudwy in 1666, the art was kept alive
only by enthusiastic amateurs.
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| Rhupunt | Four syllable lines. Three, four, or five line stanza. Rhyme pattern A. A. A. B. Last line of each stanza rhyme. | More Detailed Information |
| Tawddgyrch cadwynog | Four syllable lines. Similar to the Rhupunt, but usually a Four line stanza. Rhyme pattern; A. B. B. A. |
More Detailed Information |
| Cyhydedd fer | Rhyming couplets Eight syllable lines. |
More Detailed Information |
| Cyhydedd hir | Eight line stanza; two quatrains. Each quatrain; three, five syllable lines, sharing same rhyme. Last line; four syllables, main rhyme. | More Detailed Information |
| Cyhydedd naw ban | Nine syllable lines. Rhyming couplets minimum verse structure. Stanzas must have at least a rhyming tercet, or two couplets. | More Detailed Information |
| Cyrch a chwta | Eight, seven syllable lines First six sharing same rhyme Finishing with a couplet similar to Awdl gywydd. |
More Detailed Information |
| Byr a thoddaid | Quatrain stanzas of two couplets one couplet eight syllables one toddaid byr couplet. Couplets in any order. |
More Detailed Information |
| Gwawdodyn | Quatrain stanzas of two couplets one couplet nine syllables one toddaid byr couplet. Couplets in any order. |
More Detailed Information |
| Gwawdodyn hir | Sestet stanzas of three couplets, two couplets nine syllables common rhyme, one toddaid couplet, internal rhyme, ten and nine syllables | More Detailed Information |
| Hir a thoddaid | Sestet stanzas of three couplets, two couplets ten syllables common rhyme, one toddaid couplet, internal rhyme, ten and nine syllables | More Detailed Information |
| Thoddaid | Couplets, One ten syllable line with internal rhyme, followed by a nine syllable line to form couplet | More Detailed Information |
| Clogyrnach | Soon to be released | More Detailed Information |
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